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Graham - Guitars (updated December 2008)

I currently have three main gig guitars. The main one is a Reverend Rocco. www.reverendguitars.com

This is a small hollow bodied, metal (throw that goat) fronted bolt on neck affair with two tapped humbuckers. It has a neck designed after an old “played in” Strat and has a gorgeous feel. I added a set of Grover Locking Machine Heads to ease the torture of changing strings every gig. Also I have added Graph Tech saddles (great invention) that seriously reduce string breakage. I wore out the factory fitted frets within a few years and had Shane Haigh (The String Surgeon) refret the whole neck with Dunlop 6100 wire (massive huge jumbo).

I bought it from the States (Reverend are small company based in Detroit, Michigan) taking a real chance as I had never seen one let alone played one as they don’t have any distribution over here. Luckily I love it. Its 100% my number one guitar. I recently broke the bridge pickup (sort of) and put a BBQ bucker from Rio Grande in there. It turned it into a fire breathing monster. I am awaiting a Rio Grande Muy Grande to get it back to a single coil ‘able bridge unit, but its going to have to be good to get me to move fully away from the BBQ.

I have two of these now, they stopped making them some years ago so I got stock in!!!

The second one I got from Germany and is the same but without the metal front, this one is topped with tiger stripe quilted formica….. Real quality…. And this time for extra twang we have a maple fretboard on this as opposed to the rosewood on the other. Sperzel locking machines on here.

Backup for gigs is generally either the second Rev or a Fernandes Retro Rocket Elite, which is essentially a Strat type thing but with 3 mini humbuckers and the Fernandes Sustainer system on board. I’d wanted a Sustainer equipped guitar for a while just to see what it was capable of and the opportunity arose here as someone put one on Ebay that was too inexpensive to ignore. Its great, real quality stuff and Fernandes are a company that I will be looking at in the future as it has a lot of features that just reek of quality. The Sustainer itself is hilarious, though its easy to get carried away with it……

I also have a Custom Made Telecaster style thing. This is a real furniture guitar. It has a set (glued) neck, solid mahogany body (which depending on which time I asked the maker is from an old window frame or a Victorian Bar Top!!! I definitely prefer the bar option. Suits me!!) and neck with an absolutely gorgeous curly maple top. Two Seymour Duncan “Custom Custom” humbuckers that again are tapped. Once again locking machines but this time they are Sperzels.

And last but by no means least is a Gibson Les Paul. This was the first serious guitar I ever owned and loved. It’s a 1971 Les Paul Custom in Cherry Sunburst (which I am told was a special order finish 37 years ago!!).  As far as I can tell its completely original, from the liquorice torpedo sized capacitors in the back of it at least!! I did have it refretted some time ago but other than that its as it was from Gibson’s famed Kalamazoo factory.

I’ve had it since about 1989, I’m stuck with it I’m afraid as I made a pact to never sell it no matter what. Some would (and some often do) say that it is an absolute dog. I disagree. Okay, it is seriously abused, but to me all the marks, scratches, dints, extensive loss of lacquer, worn neck, microphonic pickups, rust, corrosion and complete knackered-ness all add to its charm and attraction. Most importantly most of these dings were probably as a result of my own actions so its kind of personal.

Now retired from active service, maybe………..

Kicking around somewhere is an Epiphone pierced SG too. I stuck a BBQ bucker humbucker in the bridge from Rio Grande pickups (Texas) and turned it into a rock monster. Its pierced, as in body pierced and has a huge X chiselled out of the body. If I ever audition for Rob Zombie, this is the guitar to take….. Hilarious. You need to see this one to appreciate how silly it really is.

Amp

Tech 21 Trademark 120 2 x 12 combo (with wheels).
120W 3 channels, ease of carry and mighty loud and fuzzy. Perfect…
And seemingly very tough as I have been seriously abusing it for some time now. (I did break it and bought a Line 6 spider valve in Jan 2008, but that was truly horrible, a disgusting piece of sh*t that I wish I had never plugged into. It was unceremoniously dumped back on the shop from whence it came. Who has ever heard of rebooting a guitar amp??? No thank you Mr digital brain…) I got the Tech 21 repaired…..


Pedals (talent boosters) 

I love pedals… I just cannot get enough fuzz it seems. Last count was about 11…. I kid you not. One day I am going to chain them all together. Then probably be kicked out of the band.  This is what I actually use to gig with. They are all mounted on a Casecore Coffin Board which as well as looking cool is very tough and serves as a stage board as well as transportation.

In order of signal chain from guitar; 

Dunlop “Dime” Cry-baby from Hell !!!!

A thoroughly wicked and offensive wah wah. Great fun.  17db of boosted wah explosion. Why the fook not… And with a pretty funky camo paint job too. And Skateboard grip tape on the top to stop your feet slipping…. Dimebag, what were you thinking? Rock on!!!!

Tech 21 Double Drive

Used as a lead boost to give solos that extra kick over the edge, it’s a very powerful pedal. I have tried many different units in this location and will no doubt try a 100 more, but this one keeps finding its way back on the board so it must be doing something right.

Z Vex Box of Rock 

Its an overdrive, with very high output designed to sound, through a clean amp, like a Marshall JTM 45 dimed (everything on 10). Quite convincing, but since I rarely play clean, I am unlikely to know for sure……. Its used again to push the amp for solos etc. I love it. It also has a boost function, based not far from the acclaimed Super Hard On or Super Duper 2 in1 pedal that Z Vex does. I had the super duper but it was too much, and I couldn’t use both channels at once through a dirty sound without seriously wondering about my mental health. So this works better. The boost comes after the drive so the drive can be louder, or you can just use the boost… 8^) 

After trying pretty much every fuzz box I could this in combination with the Double Drive and the amp seem to cover most every angle of filth that I could wish to… we shall see.

Tech 21 Boost DLA

Oooooh, echo and modulation in one. Quite a combo, and interestingly this has a boost feature too, cunningly named eh? A very musical pedal, with exceptionally sensitive controls that always seem to get knocked by my clumsy boots…. It’s a digital delay, but with an all analogue signal path, so you don’t get any of that microwaved processed tone that seems so common these days. Really cool and useful.

MXR Script logo Phase 90 

Whoosh whoosh whoosh, something like that. Very cool pedal, highly vintage and old. Its vaguely orange still and is great fun. Again, quite pleasant after pummelling the amp with all that gain and fuzz…..

Voodoo Labs Microvibe

A pretty convincing, compact Uni-vibe type pedal which is pretty damn cool, for those Robin Trower, Hendrixy type thangs.

Tuner  

Korg DT-10 in line with mute to spare anyone the horror.

Power 

All pedals are powered by a custom made unit from; 

http://www.circuit-innovations.co.uk/ 

This a great unit and besides being affordable its deadly quiet, fantastic find!!! 

Forget all that expensive pedal power nonsense from the USA.. This also has a long enough cable to sit behind the amp. I don’t like having 240V anywhere near Liz’s drinks….

Connections 

Cables are made by me using Neutrik jacks and Hills OFC noiseless cable (MB Radio, Leeds). If there is one thing that will seriously screw with your tone, its poor quality cable. These little beauties can cost £45 for a 20 foot lead, but I have never had to replace or repair one yet.  All patch cables are the same, just shorter.

Strings

Any brand I can find cheap, I go through them too quickly to be choosy. GHS Boomers are the preference but I can rarely find them. Gauge 10-52 LTHB’s. Birthdays, Xmas take note!!!! Webstrings.com are a great bargain, as long as you buy enough sets to keep the postage realistic.
 

Steve - Drums

Do people really want to know what bits and bobs have been thrown together to form my kit? Here goes:

DRUMS are Pearl Export, in, I suppose a turquoise colour.  I think they are Birch shells, with Remo Pinstripe heads on the toms and Remo weather beater on the snare. (doing all this from memory because its too cold in the garage to look). The snare is an Iain Paice Signature, my favourite rock drummer ever, just wish i could play like him, just a little, but hey.

Hardware is Pearl.  Bass drum pedal came with the kit, low budget but i like the light feel. The beater is a wood Tama Iron Cobra, small and light but meaty. I've been a playing very long time (ten dollar) and always liked the sound of Paiste 2002, Iain Paice once again I'm afraid.

So eventually i got myself a full set.

Hi hats-- 2002 sound edge, 14"
16"crash-2002
18"crash-2002
20" power ride-2002. sharp and clear, bootiful.

I use Red 5 drum mics, once again didn't cost the earth but sound mighty fine, especially the bass drum and with Graham's mixing sounds soooooooooooper.  All in all sounds great, just wish they did a pop up version and at a touch of a button it was set up, perfik, may be in the year 2525. Hey that's a good title for a song, what do you think guys?

Si thi.(see you).

Steve.
 

 

Mike - Bass Guitar

After experimenting with my old Ibanez BTB Bass (which got me into 5-string basses in the first place) I finally settled on an American-made Ernie Ball MusicMan SUB5 bass, in black, manufactured at the Music Man plant on the Central Coast of California in San Luis Obispo. Check out www.ernieball.com 

This is a very nice bass, the shorter 34" scale length seems to suit the 5-string set up perfectly to get a very even response from all over the neck.  It has a powerful 2-band active EQ, volume treble and bass. The neck has a 21-fret rosewood fingerboard, and is bolted to the body by a 6-bolt attachment.  And then they painted it black and stuck a silver coloured, oval shaped, diamond plate aluminium pick guard on it, surrounding a MusicMan humbucking pickup.  I love this guitar, it has a real honky midrange tone about it and a big but playable neck.  Suits my big hands...

My second bass is a Status Groove 5-string active bass which is just completely different to the MusicMan, the only similarity is the scale length I believe.  The Groove has a (taken from the Status website): "Tri-Max triple coil hum-cancelling pickup. The two outer coils create the signal whilst the inner coil cancels out low frequency hum. The Tri-Max pickup operates through either a low impedance active treble and bass circuit or may be switched, for a true passive tone, directly to the master volume control." Sounds cool, but all it really means is you get a warm, full bass sound which is even across the whole neck but the EQ allows you to get a bit of bite out of the tone too. 

It's an interesting beast and it's been a bit of a labour of love.  The dick I bought it from hadn't looked after it at all, it was filthy and the electrics were in a state and it made more pops and crackles than a ten foot bowl of Rice Crispies.  I ended up getting Rob Green at Status Graphite to make a new circuit board for me, and I replaced all the wires and input jack just to make sure.  I treated it to a new pick guard and now I'm very happy with it but I still just want to play the MusicMan most gigs cos it seems to play itself...

Tech 21 SANS-AMP Bass Driver DI Pre-Amp

Graham is a huge fan of Tech 21 gear, and with good reason.  It's never let him down.  I had been scratching my head for some time about how to get a pure sound out of my rig and the traditional amp/speaker set up just seemed to lack definition somehow.  I considered splashing out on a high-end Ampeg SVT head which would have cost me nearly a thousand quid, but luckily Graham put a thought in my mind to consider just getting a pre-amp to shape the tone and use my current Ampeg head as a power amp only. 

So I weighed in and got a bargain on the Tech 21 Sansamp Bass Driver.  It's early days, I've done one gig with it plugged in to the 'effects return' on the amp and it just sounds fantastic.  I cannot believe the punch and clarity I'm getting out of it, and it's sat there on my pedal board within easy reach if I need to change sounds.  To say I am delighted with this thing is an understatement! It will prove to be a very handy recording tool also I think.

Amp

Ampeg B2RE bass head, running at 4 Ohms (up to 450 watts).  Running this with an Ampeg SVT610 cabinet, which is very heavy but fortunately has wheels.

Pedals

Boss ODB-3 Bass Overdrive
A great fuzz pedal, this has some particularly nasty sounds and allows me to blend fuzz with the original signal so I don't lose bottom end.

Boss LMB-3 Bass Limiter/ Enhancer
More to protect the speaker cab than anything else, this allows me to control peaks in volume to deliver a more consistent attack (but better than using a standard compressor, which prevents me from playing quietly!) Basically just puts a lid on things...  Enhancer circuit is basically just a tone control with added Boss Unwanted Noise circuitry, but adds some brightness where needed.

Boss GEB-7 Bass Equalizer
This is there just in case I need to duck or boost something.  Boss pedals are cheap and cheerful, but what they lack in finesse they make up in ease of use.  Shame this one is beige, not very rock and roll...

Digitech Bass Multichorus

Very nice chorus effect with up to 16 voices, loads of options here

Digitech Bass Driver

Warm, rich bassy fuzz and lots of it too.

Tuner  

Korg DT-10 chromatic tuner. Bag of shite, but it has a very useful mute switch

Strings
Usually RotoSound Standard Gauge 45-130, but recently tried some Elite Stadiums and they are lighter and brighter.  Now sourcing strings from www.webstrings.com, American made stainless steel 5-strings sets for a complete bargain

 

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